the poem is preposterous, but it is also unsettling. They are not thrown in the street like crates and are hardly short live act, when they have served their purpose of being loved and protecting their they are properly buried and sometimes mourned over. Lewis's The Allegory of Love (1936). We feel that there is something more, though perhaps struggling to get out. Anecdotes of a jar: the dominion of spatial tropes in recent criticism of the lyric. Empson looked into the complexity of literary language, and suggested that poems were often successful by deploying meanings at different levels. But, at least until recently, lines were expected to have some internal consistency and autonomy, to be the better for their expression in one way than another.
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Michel Foucault is another philosopher, like Barthes, whose ideas inform much of poststructuralist literary theory. Progression appears: from shore to land, from ground to air to water, from threat to imprisonment. As the reader can see, the purpose of this simple slatted case (container) (line two of stanza one, The Crate) is to transport fruits are that sure to spoil or give up the ghost (line three of stanza one, The Crate) if slightly hinting suffocation. The most important theorist of Deconstruction, Jacques Derrida, has asserted, There is no getting outside text, indicating a kind of free play of signification in which no fixed, stable meaning is possible. For Lacan, the self is constituted by language, a language that is never ones own, always anothers, always already in use.
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