Film Comment (September/October 2013). 97 In the United States, Arthur Penn ( Mickey One 1964, drawing inspiration from Truffaut's Tirez sur le pianiste and other French New Wave films John Boorman ( Point Blank 1967, similarly caught up, though in the Nouvelle vague' s deeper waters and Alan. 81, on analyses of the film; Silver and Ward (1992. London and New York:.B. 14 The antihero eventually became an established form of social criticism, a phenomenon often associated with the unnamed protagonist in Fyodor Dostoyevsky 's Notes from Underground. Cambridge, Massachusetts, and London: Harvard University Press. Heroes (or anti-heroes corrupt characters and villains included down-and-out, conflicted hard-boiled detectives or private eyes, cops, gangsters, government agents, a lone wolf, socio-paths or killers, crooks, war veterans, politicians, petty criminals, murderers, or just plain Joes.
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Omdat er weinig geld voor filmmaken was op dat moment, werden Italiaanse neorealistische films op locatie opgenomen, vaak met behulp van amateur-acteurs. Dissertation, Department of English and Creative Writing, Lancaster University (chapter available online ). " Blade Runner in his Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem (1995. . 2002; Walker (1992. A Cinema of Loneliness,. 14055, on "B Pictures versus Intermediates".