Typically includes a backstage tour of 3 theaters and a private discussion with an actor. Bloomington: Indiana University Press, 1989. Bloom, Harold, Geoffrey Hartman, Paul de Man, Jacques Derrida, and. Bullock, Chris and David Peck. Kinds of Literature: An Introduction to the Theory of Genres and Modes. In direct contradiction to what have been typified as modernist perspectives on epistemology, Foucault asserted that rational judgment, social practice, and what he called " biopower " are not only inseparable but co-determinant. For Foucault, power implies knowledge, even while knowledge is, concomitantly, constitutive of power: knowledge gives one power, but one has the power in given circumstances to constitute bodies of knowledge, discourses and so on as valid or invalid, truthful or untruthful. In negative terms, deconstruction-particularly as articulated by Derrida-has often come to be interpreted as "anything goes" since nothing has any real meaning or truth.
Greek literature - Byzantine literature: Byzantine literature may be broadly defined as the Greek literature of the Middle Ages, whether written in the territory of the Byzantine Empire or outside its borders.
By late antiquity many of the classical Greek genres, such as drama and choral lyric poetry, had long been obsolete, and all Greek literature affected to some degree an archaizing.
T LIT 101 Understanding Literature (5) vlpa Develops essential tools for close and informed reading of fiction, drama, and poetry.
Considers how a text generates aesthetic pleasure, how it achieves moral or social impact.
Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Compares this "burden" to those of writers of other ethnicities. 4 - Travel Writing Across the Disciplines - (pictured below - series description ). title, The Exorbitant Question of Method,. Thinking Fragments: Psychoanalysis, Feminism and Postmodernism in the Contemporary West, 1990. Emphasizes the methods of interpretation and critical theory in studying the relationships of artistic expression. The Critical Difference: Essays in the Contemporary Rhetoric of Reading. 29 In 1971, in a lecture delivered at the Institute of Contemporary Art, London, Mel Bochner described "post-modernism" in art as having started with Jasper Johns, "who first rejected sense-data and the singular point-of-view as the basis for his art, and treated art. Archetypes, according to Jung, are "primordial images the "psychic residue" of repeated types of experience in the lives of very ancient ancestors which are inherited in the "collective unconscious" of the human race and are expressed in myths, religion, dreams, and private fantasies, as well.
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